It's impossible not to see the actress's personal struggles through the lens of her character It’s true: Lindsay Lohan ain’t what she used to be. But then, suggests The Canyons, neither is the movie ...
The restrained but potentially explosive exchange of glances in the opening sequence of Paul Schrader’s new film, “The Canyons,” marks the movie with the sure hand of directorial mastery. The art of ...
Paul Schrader's low-budget L.A. soap-noir The Canyons opens on images of dead and forgotten movie theatres, an apt tone-setter for this dour tale of betrayal and obsession on the margins of the ...
The best moment of “The Canyons” arrives before any of its actors show up. While opening credits zap on to the screen, images of decayed movie theaters flit by, establishing a sense of dread for ...
Paul Schrader's movie shows a film being made in the wreckage of Hollywood; it's a perfect combination of his and screenwriter Bret Easton Ellis's obsessions The Canyons is Paul Schrader's zombie ...
A leitmotif runs through "The Canyons," a folie-a-trois involving writer Bret Easton Ellis, director Paul Schrader and actress Lindsay Lohan, having to do with the end of cinema. The shoestring-budget ...
With a production as troubled as its star Lindsay Lohan, this un-erotic thriller is best viewed as a ghastly tableaux of the damned Cinema bows out with both a whimper and a bang in The Canyons, a ...
Results that may be inaccessible to you are currently showing.
Hide inaccessible results