For the 30th anniversary of Baz Luhrmann’s visceral epic Romeo + Juliet, we republish José Arroyo’s essay on how the film turned Shakespeare into cinema. From our March 1997 issue.
Sandra Wollner’s third feature, the enigmatic Un Certain Regard prize-winner will open in UK and Irish cinemas through BFI Distribution.
From silent-era demons to modern folk-horror nightmares, witches have haunted cinema for well over a century. These 10 films chart the evolution of the screen witch, revealing how ideas about female ...
Laika animation studio’s film about a teen on an epic quest to save her baby brother is filled with astounding detail, but the magic lies in the craftsmanship rather than the story.
From overlooked office workers to fading movie stars, ageing in Billy Wilder’s films is about more than growing old. Across his career, he wittily chronicled characters confronting missed ...
Settle into November with a feast of cinema, from the splendour of silent classics to bold new voices and rare discoveries.
As the 70th BFI London Film Festival ends, the BFI today announces the winners of this year’s LFF Awards. Showcasing an incredible range of talent from across the world, the Competition sections are a ...
As Film Africa opens with the UK premiere of Cannes prizewinner Ben’Imana, we explore 10 films that reveal the richness, diversity and transnational currents of East African cinema, challenging ...
As our season dedicated to Billy Wilder gets under way, we plot a beginner’s path through the bittersweet comedies and acerbic noirs of one of the most celebrated directors of the golden age of ...
One hundred years after its Edinburgh cinema release, we tell the story behind Till the Bells Ring, a Scottish talking picture that included synchronised dialogue a full year before Hollywood’s own ...
This month, learn more about how we're preserving Guillermo del Toro’s latest creation, how funding is helping us transform vital archive facilities and a recent Colorado collaboration with actress ...
Ahead of the release of Fatherland, Pawel Pawlikowski’s latest black-and-white vignette of mid-century Europe, we round up other films from the decade so far which reclaim monochrome from film history ...