Political punks, the Iron Roses' latest collection, Molotov Nights, is their strongest yet, a state of the union that enrages ...

The Encore, Taylor Swift does little to change the original album's reception, but offers harmless fun nonetheless.

Michael Sarnoski’s dying outlaw in The Death of Robin Hood tests, after a remorseful confession, who controls the past.

Anne Carson's oeuvre bridges the gulf between Homer and Gertrude Stein while ignoring, subverting, and toying with everyday ...

Carlos Saldanha’s 100 Days turns an extraordinary Atlantic crossing into a portrait of a man who seems less troubled by ...

Little on Dream House matches the sheer brio of Empress Of's earlier music, and it lacks backbone and attention span.

It’s easy to take Sheryl Crow for granted. Her string of hits provided the easy-listening soundtrack of the 1990s and 2000s, ...

Calling Antonín from James Brandon Lewis' Red Lily band is another rollicking but meaningful statement from one of the most ...

On his fourth album, She's the Best, Troye Sivan's elusive search for connection finds him languishing in the party's ...

Indianapolis indie poppers Wishy take their sound to a new level of craftsmanship and catchiness with Nature's Pill. It's one ...

Poh Si Teng’s American Doctor works as emotionally charged hard news about trauma doctors in Gaza, but not as an analysis of ...

Haunting and exotic, Visions of Nar's second record, Awakening, takes us on a tone-colour trek across cultures. It's a ...